I work as a freelance theatre critic and dramaturg; some examples of this work can be found on my blog. I was a 2017 fellow at the National Critics Institute.
I am always eager to explore the intersections between my academic work and my critical and dramaturgical work, including how criticism can act as form of public humanities.
Exeunt Magazine (Author page here.)
Fiddler on the Roof at the Menier Chocolate Factory
Consent at the Harold Pinter Theatre
Have We Actually Broken Shakespeare?
Much Ado About Nothing at the Rose Kingston
The Woman in White at Charing Cross Theatre
The Tung (Author page here.)
Dance Nation at the Almeida
Caroline, or Change at Hampstead Theatre
What Are Quotas For?: A Response to Nicholas Hytner
The Divide at the Old Vic
Oregon Arts Watch (Author page here.)
Hand to God at Triangle Productions
Oregon Shakespeare Festival 2017
History Plays In (and on) The Pacific Northwest
Shakespeare Experiments for Modern Times
American Theatre Magazine (Author page here.)
How One Song Changed the Arc of Great Comet
Women Take Over The Tempest
The Dramaturgy of Gender: How Audience Expectations Shape Storytelling